Shan Hua Hua (b.1995) is a video artist, 2022 graduated from RCA in currently living and working in
London. Shan’s
work is
often centred on the symbiotic relationship between pop culture and social
change, and our thoughts on identity. She specialises in collecting the forms
of things in different time and space from her personal experience, and through
the narrative method of digital identity and multiple time and space
discussion, she reshapes the original forms of things to create a chaotic time
and space so that these unrelated things can have a natural collision and
development.
Shan‘s film THEY 2022 won the Best
Animation Award at the London international Web & Short Film Festival and
Best Fashion Film at the Madonie Palermo Film Festival. I Can Hear You, in an
unfamiliar Way was finalist for Asvoff A
Shaded View, run by Diane Pernet, and The Novelist 2024 won the Best Virtual
Reality Award at Cannes World Film Festival. She has worked on fashion
editorials for several major publications and brands.
2024,
Solo
Exhibition Will is Snotty Knife That Never Truly Pierced Anyone at Silmeengine
2024, ESSAYAG, La Traverse Gallery,
Marseille, France
2023, Vouge China
Fashion Found, The Virtual Frontier Finalist of Finalist ,China
2023 I CAN HEAR YOU, IN AN UNFAMILAR WAY 15thAsvoff A Shaded View
on Fashion Film Diane Pernet Shortlist,Paris
2023 Schmidt Ocean
Institute, Artist at Sea Residency, participates in the DYNAMICS OF SINKING
MICROPLASTICS expedition programme, Panama
2023 Participated as
art director and digital creator at shyness space, London
2022 "They"
was selected the Best Animation Award at the London International Web &
Short Film Festival, London
2022 Best Fashion Film at
the Madonie Palermo Film Festival, Italy
2022 Asvoff A Shaded View
on Fashion Film Diane Pernet Shortlist,Paris
2022 London Fashion Film
Festival Shortlist, London
2021 The virtual
exhibition Ocean at the Slimeegine Engine
Shan Hua uses the writing process of a novelist as the main line to draw out the story of three different stages of farewell. By capturing the subtext of life with delicate differences to engage the timeline and the fluctuation of emotions, the author creates a sense of a mind muttering itself and gradually in and out of the picture. With strong colours and oxymoronic dialogues telling heavy topics, this East Asian style of twisted, subtle and evasive comedy is the author's very personal audio-visual language.
This Film won Cannes World Film Festival Best
Virtual Reality (Short) award, exhibited at Vogue’s Forces of Fashion
Conference.
